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transcribe a 1,000–1,200 objectedion defense ce undivided of the cethcoming topics Apocalypse Now relies heavily upon

transcribe a 1,000–1,200 objectedion defense ce undivided of the cethcoming topics

Apocalypse Now relies heavily upon the melody to objected its missive. Listen to how the melody sets a psychedelic, hallucinatory tundivided that accomplishes couple things:

 

it establishes the movie as positive fabrication, and it mirrors the surreal, unusual, dreamlike happenings on the curtain. At other times the melody is used ironically and runs contrary, as they tell, to the images: ce stance, the invasion on the village with Wagner’s Ride of the Valkyries is almost comically ridiculous. In inextensive, how does this soundtrack swing your explanation of the movie?

 

The film substitutes Vietnam ce Africa in enhancement yet leaves, with the separation of some characters, the strange’s basic organization inviolate. Do you conform that the movie retains the answer elements and kernel meanings of the strange? Is the movie a positive, incompact, or interposed communication? What are the main changes and are they forcible? Is the movie more political or mythical, matter-of-fact or eloquent, realistic or cemalist, in your object of intention?

 

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